Master paintings of the 1800s at the Bishop Museum

2 04 2017

For the final project in the Painting II class I teach, students select a painting of a master to copy using the grid system and painting section by section. The unveiling was yesterday at the Bernice Pauahi Bishop Museum.

Nancy Alejo chose Camille Pissarro’s “The Red Roofs,” 1877, and Bernadette Chan picked Paul Gauguin’s “Parau api (Two Women of Tahiti),” 1892.

“The Red Roofs” by Nancy Alejo after Camille Pissarro

A segment of “Parau api (Two Women of Tahiti)” by Bernadette Chan after Paul Gauguin

My students selected these works independently from each other, but in their presentation, we learned that Pissarro and Gauguin became friends in 1873 and painted together. Pissarro painted with the Impressionists. Gauguin had no formal art training, and his work is post-Impressionist, flat, hard edged and considered symbolic. Pissarro gave money to Gauguin to go to Tahiti.

While at the Bishop Museum we visited The Picture Gallery on the top floor of the entrance tower of Hawaiian Hall. My favorite paintings were the landscapes by D. Howard Hitchcock and the still lifes of fruit dear to my heart (because I have had mountain apples and breadfruit in my own garden) by Margaret Girvin Gillian.

The Picture Gallery at the Bernice Pauahi Bishop Museum. Fascinating old images of Hawaii may be viewed here.

If you go:
See www.bishopmuseum.org for how to get there and for ticket information. Admission is free on Pauahi’s birthday, Dec. 19.
From Waikiki you may take the No. 2 bus and ask the driver to let you off on School street at Kapalama street. Walk downhill toward the ocean to Bernice street and turn right to the entrance at 1525 Bernice Street.





Cover art

2 03 2017

A group of classmates packed and fulfilled the early orders for our reunion book today. It was my honor to design the 164-page volume. God designed the cover shot of a Kaaawa sunrise. I just happened to be lucky enough to capture it with my iPhone!

Punahou School Class of 1967 50th Reunion

Punahou School Class of 1967 50th Reunion





Flower study

21 02 2017

A small oil sketch to demonstrate painting white. White is pearly gray.

 Glass Full of Daisies – 2017 By Rebekah Luke





Reflections ’67: yay, team!

9 02 2017

Read the rest of this entry »





A lovely afternoon

23 01 2017

Greetings ~ friends, art lovers, and art patrons! I am taking my very lastest creation made from hand-dyed tissue paper to the Punahou Carnival Art Gallery next week. By invitation next Tuesday, and open to the public on February 3 and 4. Please enjoy “A Lovely Afternoon.” Here’s a preview.

"A Lovely Afternoon" Original 20" x 16" hand-dyed tissue paper collage on canvas, copyright 2017 Rebekah Luke.

“A Lovely Afternoon” Original 20″ x 16″ hand-dyed tissue paper collage on canvas, copyright 2017 Rebekah Luke.





Say “cheese” :-)

20 08 2016

What went down last night. Down the hatch and into our bellies. So decadent, but my girlfriends and I enjoyed! The occasion was a soirée at Cynthia’s, a potluck. How’s this for potluck?!

IMG_6410

Cynthia graciously mixed cocktails, poured wine, and provided cutely decorated chocolate cupcakes to start and finish. Valerie shared the fresh salmon she and the boat she was on caught in Alaskan waters, most welcome as I am hesitant to eat fish these days. Candice brought bruschetta con pomodoro, I brought cold brussel sprout leaf and coconut soup, and Lori brought and styled this fabulous once-in-a-lifetime special cheese/salami/fruit/condiment array. I am grateful to have been able to share this table.

My photo is real, untouched, just the way Lori arranged the food on the tray, and shot straight with existing light and my iPhone6. I like it a lot.





In my world and why we create

14 08 2016

In my world, much of what I do is creative. Creating interesting and beautiful things brings me satisfaction, a sense of accomplishment, joy. I don’t initially do it for money although, come to think of it, most of my income has come from making fine art and from designing and writing publications and lesson plans. I’ve yet to turn a buck composing or singing or cooking!

Last night a volunteer appreciation party at Kaneohe Yacht Club for Pacific Cup race workers reminded me of other benefits of creating and of involving others in the process. Those benefits are respite and therapy.  I led a crew of 25 in making lei garlands for the arriving boats from San Francisco.

When I arrived late to the party (bad highway traffic), I learned it was announced the free drinks were courtesy of the monetary donation I made from partial proceeds of the lei that happens to be a product we sell. Well, that is not exactly the kind of therapy I was thinking of ;-), but we did make money, and it gave me satisfaction to spend a morning writing checks to the lei makers and two organizations that collaborated for the activity. We made lei!

Carol Silva
During Pacific Cup time I’ve noticed, or sometimes the lei makers tell me, some come to make a lei or two or three in order to take a break from a difficult situation at home.

A family member was in the hospital, or a spouse was ill, or they got childcare so they were free to come. They made the time or they took the time to come and do something they loved to do and be among other people. That they would tell me this touched my heart, and I am so very glad and grateful I could provide the creative outlet.

Creating interesting and beautiful things also brings freedom and peace. Namaste. ~ Rebekah








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